{"id":2695,"date":"2017-05-30T12:41:04","date_gmt":"2017-05-30T12:41:04","guid":{"rendered":"https:\/\/3acompositesusa.com\/\/blog\/?p=2695"},"modified":"2017-06-01T13:06:22","modified_gmt":"2017-06-01T13:06:22","slug":"leeds-artist-brings-new-life-to-vacant-building-with-colorful-dibond-mural","status":"publish","type":"post","link":"https:\/\/3acompositesusa.com\/blog\/leeds-artist-brings-new-life-to-vacant-building-with-colorful-dibond-mural\/","title":{"rendered":"Leeds Artist Brings New Life To Vacant Building With Colorful Dibond Mural"},"content":{"rendered":"

\"Ian
\nIan Kirkpatrick is a Canadian-born artist who moved to the UK in 2008 where he began his graphic design and contemporary art career. His works have been featured on an international scale from New York to Berlin galleries. Unlike artists who often choose a single, or maybe even a few mediums to work with, Kirkpatrick utilizes a wide array of materials from corrugated cardboard to stainless steel.
\n
\n\"Ian
\n
\nHe works mostly in a digital format, enabling his works to be manipulated from small to large scale easily. Some of his most recognizable pieces feature direct digital prints onto cardboard. These large-scale works are captivating, employing a unique selection of colors and iconology that is anticipated and symbolic of his works. In his most recent exhibit, Renaissance, he explores the capabilities of Dibond aluminum composite panels.
\n
\"Ian
\n
\nFirst using Dibond back in 2010, Kirkpatrick was initially drawn to the material when he discovered its use in street signage. In 2016, he created a contemporary altarpiece as a response to the refugee crisis for a local church. The piece again features colorful and contemporary symbolism utilizing his own unique iconography.
\n
\nFor Renaissance, Kirkpatrick explains that Dibond was a natural choice. He describes, \u201cI knew it would be waterproof for several years while being lightweight enough to install safely in the tall windows. Also, the surface quality of the material is very satisfying to look at, as opposed to some other products that tend to have a coarser, duller surface quality.\u201d
\n
\n\"Ian
\n
\nLeeds City Council commissioned the Renaissance mural and is responsible for a large development of the Leeds South Bank area. This underused industrialized area will receive a well-needed rejuvenation. Kirkpatrick was chosen to revitalize a previously neglected historical building.
\n
\nKirkpatrick did research before choosing a composition for his piece. Exploring the past, current events and future of the building site. In his research he discovered that the abandoned buildings of the South Bank area were designed in a style reminiscent of Egyptian temples and Renaissance towers.
\n
\"Ian
\n
\nHe explains, \u201cI incorporated imagery from Egyptian and Renaissance paintings into the piece \u2013 particularly things relating to themes of transformation or resurrection. The artwork is all about cycles of life and death and rebirth \u2013 echoing the rise, fall, and regeneration of the South Bank.\u201d
\n
\n\"Ian
\n
\nFor this, he chose to create a comic-inspired series of Dibond window prints that serve as a fantastical juxtaposition to the harsh brick of the building\u2019s exterior. The colorful mural utilizes 32 Dibond aluminum composite prints that were digitally printed and installed by UK specialists, Dock Street Signs<\/a>.
\n
\n\"Ian
\n
\nAn interesting challenge during installation was that the windows of the building were not uniform in size, typical of buildings constructed at that time. This required Dock Street Signs to trim the Dibond on-site. The installation is semi-permanent; it will remain in place until the building is used for new purposes.
\n
\nIn his first large commission outside of the UK, Kirkpatrick is currently completing a large mural in Amsterdam, Amstel Tower. When finished the piece will be 30 feet long and 11 feet tall. To follow Kirkpatrick\u2019s latest exhibition and to view his previous works visit iankirkpatrick.wordpress.com<\/a>.
\n
\nInformation and photography courtesy of Ian Kirkpatrick
\n
\n