‘Alarming’ … a detail from Untitled (Baum 44), 2015, by Albert Oehlen. Photograph: Stefan Rohner/Courtesy Gagosian Gallery
Recently, Sean O'Hagan at The Guardian interviewed Albert Oehlen about his Gagosian Gallery exhibition in Mayfair. O'Hagan’s interview explores the artist’s skeletal tree paintings, but also is an examination of the artist himself. Oehlen’s interpretations of trees, being abstract and minimalistic in nature, are painted on the artists’ substrate of choice, Dibond aluminum composite.